Sustain-Able 余 : ♥ www.CeciliaYu.com

….wild is the wind…creative freedom is the seed….

Creative Commons Licence 3.0

Please note that everything in this blog is licensed under a Creative Commons Licence 3.0 Attribution-Noncommercial-No derivative works.

For a simple summary, please follow this link: http://creativecommons.org/licenses/by-nc-nd/3.0/

License

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS PUBLIC LICENSE (“CCPL” OR “LICENSE”). THE WORK IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS.

1. Definitions

  1. “Adaptation” means a work based upon the Work, or upon the Work and other pre-existing works, such as a translation, adaptation, derivative work, arrangement of music or other alterations of a literary or artistic work, or phonogram or performance and includes cinematographic adaptations or any other form in which the Work may be recast, transformed, or adapted including in any form recognizably derived from the original, except that a work that constitutes a Collection will not be considered an Adaptation for the purpose of this License. For the avoidance of doubt, where the Work is a musical work, performance or phonogram, the synchronization of the Work in timed-relation with a moving image (“synching”) will be considered an Adaptation for the purpose of this License.
  2. “Collection” means a collection of literary or artistic works, such as encyclopedias and anthologies, or performances, phonograms or broadcasts, or other works or subject matter other than works listed in Section 1(f) below, which, by reason of the selection and arrangement of their contents, constitute intellectual creations, in which the Work is included in its entirety in unmodified form along with one or more other contributions, each constituting separate and independent works in themselves, which together are assembled into a collective whole. A work that constitutes a Collection will not be considered an Adaptation (as defined above) for the purposes of this License.
  3. “Distribute” means to make available to the public the original and copies of the Work through sale or other transfer of ownership.
  4. “Licensor” means the individual, individuals, entity or entities that offer(s) the Work under the terms of this License.
  5. “Original Author” means, in the case of a literary or artistic work, the individual, individuals, entity or entities who created the Work or if no individual or entity can be identified, the publisher; and in addition (i) in the case of a performance the actors, singers, musicians, dancers, and other persons who act, sing, deliver, declaim, play in, interpret or otherwise perform literary or artistic works or expressions of folklore; (ii) in the case of a phonogram the producer being the person or legal entity who first fixes the sounds of a performance or other sounds; and, (iii) in the case of broadcasts, the organization that transmits the broadcast.
  6. “Work” means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.
  7. “You” means an individual or entity exercising rights under this License who has not previously violated the terms of this License with respect to the Work, or who has received express permission from the Licensor to exercise rights under this License despite a previous violation.
  8. “Publicly Perform” means to perform public recitations of the Work and to communicate to the public those public recitations, by any means or process, including by wire or wireless means or public digital performances; to make available to the public Works in such a way that members of the public may access these Works from a place and at a place individually chosen by them; to perform the Work to the public by any means or process and the communication to the public of the performances of the Work, including by public digital performance; to broadcast and rebroadcast the Work by any means including signs, sounds or images.
  9. “Reproduce” means to make copies of the Work by any means including without limitation by sound or visual recordings and the right of fixation and reproducing fixations of the Work, including storage of a protected performance or phonogram in digital form or other electronic medium.

2. Fair Dealing Rights. Nothing in this License is intended to reduce, limit, or restrict any uses free from copyright or rights arising from limitations or exceptions that are provided for in connection with the copyright protection under copyright law or other applicable laws.

3. License Grant. Subject to the terms and conditions of this License, Licensor hereby grants You a worldwide, royalty-free, non-exclusive, perpetual (for the duration of the applicable copyright) license to exercise the rights in the Work as stated below:

  1. to Reproduce the Work, to incorporate the Work into one or more Collections, and to Reproduce the Work as incorporated in the Collections; and,
  2. to Distribute and Publicly Perform the Work including as incorporated in Collections.

The above rights may be exercised in all media and formats whether now known or hereafter devised. The above rights include the right to make such modifications as are technically necessary to exercise the rights in other media and formats, but otherwise you have no rights to make Adaptations. Subject to 8(f), all rights not expressly granted by Licensor are hereby reserved, including but not limited to the rights set forth in Section 4(d).

4. Restrictions. The license granted in Section 3 above is expressly made subject to and limited by the following restrictions:

  1. You may Distribute or Publicly Perform the Work only under the terms of this License. You must include a copy of, or the Uniform Resource Identifier (URI) for, this License with every copy of the Work You Distribute or Publicly Perform. You may not offer or impose any terms on the Work that restrict the terms of this License or the ability of the recipient of the Work to exercise the rights granted to that recipient under the terms of the License. You may not sublicense the Work. You must keep intact all notices that refer to this License and to the disclaimer of warranties with every copy of the Work You Distribute or Publicly Perform. When You Distribute or Publicly Perform the Work, You may not impose any effective technological measures on the Work that restrict the ability of a recipient of the Work from You to exercise the rights granted to that recipient under the terms of the License. This Section 4(a) applies to the Work as incorporated in a Collection, but this does not require the Collection apart from the Work itself to be made subject to the terms of this License. If You create a Collection, upon notice from any Licensor You must, to the extent practicable, remove from the Collection any credit as required by Section 4(c), as requested.
  2. You may not exercise any of the rights granted to You in Section 3 above in any manner that is primarily intended for or directed toward commercial advantage or private monetary compensation. The exchange of the Work for other copyrighted works by means of digital file-sharing or otherwise shall not be considered to be intended for or directed toward commercial advantage or private monetary compensation, provided there is no payment of any monetary compensation in connection with the exchange of copyrighted works.
  3. If You Distribute, or Publicly Perform the Work or Collections, You must, unless a request has been made pursuant to Section 4(a), keep intact all copyright notices for the Work and provide, reasonable to the medium or means You are utilizing: (i) the name of the Original Author (or pseudonym, if applicable) if supplied, and/or if the Original Author and/or Licensor designate another party or parties (e.g., a sponsor institute, publishing entity, journal) for attribution (“Attribution Parties”) in Licensor’s copyright notice, terms of service or by other reasonable means, the name of such party or parties; (ii) the title of the Work if supplied; (iii) to the extent reasonably practicable, the URI, if any, that Licensor specifies to be associated with the Work, unless such URI does not refer to the copyright notice or licensing information for the Work. The credit required by this Section 4(c) may be implemented in any reasonable manner; provided, however, that in the case of a Collection, at a minimum such credit will appear, if a credit for all contributing authors of Collection appears, then as part of these credits and in a manner at least as prominent as the credits for the other contributing authors. For the avoidance of doubt, You may only use the credit required by this Section for the purpose of attribution in the manner set out above and, by exercising Your rights under this License, You may not implicitly or explicitly assert or imply any connection with, sponsorship or endorsement by the Original Author, Licensor and/or Attribution Parties, as appropriate, of You or Your use of the Work, without the separate, express prior written permission of the Original Author, Licensor and/or Attribution Parties.
  4. For the avoidance of doubt:
    1. Non-waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme cannot be waived, the Licensor reserves the exclusive right to collect such royalties for any exercise by You of the rights granted under this License;
    2. Waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme can be waived, the Licensor reserves the exclusive right to collect such royalties for any exercise by You of the rights granted under this License if Your exercise of such rights is for a purpose or use which is otherwise than noncommercial as permitted under Section 4(b) and otherwise waives the right to collect royalties through any statutory or compulsory licensing scheme; and,
    3. Voluntary License Schemes. The Licensor reserves the right to collect royalties, whether individually or, in the event that the Licensor is a member of a collecting society that administers voluntary licensing schemes, via that society, from any exercise by You of the rights granted under this License that is for a purpose or use which is otherwise than noncommercial as permitted under Section 4(b).
  5. Except as otherwise agreed in writing by the Licensor or as may be otherwise permitted by applicable law, if You Reproduce, Distribute or Publicly Perform the Work either by itself or as part of any Collections, You must not distort, mutilate, modify or take other derogatory action in relation to the Work which would be prejudicial to the Original Author’s honor or reputation.

5. Representations, Warranties and Disclaimer

UNLESS OTHERWISE MUTUALLY AGREED BY THE PARTIES IN WRITING, LICENSOR OFFERS THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE, NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU.

6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

7. Termination

  1. This License and the rights granted hereunder will terminate automatically upon any breach by You of the terms of this License. Individuals or entities who have received Collections from You under this License, however, will not have their licenses terminated provided such individuals or entities remain in full compliance with those licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any termination of this License.
  2. Subject to the above terms and conditions, the license granted here is perpetual (for the duration of the applicable copyright in the Work). Notwithstanding the above, Licensor reserves the right to release the Work under different license terms or to stop distributing the Work at any time; provided, however that any such election will not serve to withdraw this License (or any other license that has been, or is required to be, granted under the terms of this License), and this License will continue in full force and effect unless terminated as stated above.

8. Miscellaneous

  1. Each time You Distribute or Publicly Perform the Work or a Collection, the Licensor offers to the recipient a license to the Work on the same terms and conditions as the license granted to You under this License.
  2. If any provision of this License is invalid or unenforceable under applicable law, it shall not affect the validity or enforceability of the remainder of the terms of this License, and without further action by the parties to this agreement, such provision shall be reformed to the minimum extent necessary to make such provision valid and enforceable.
  3. No term or provision of this License shall be deemed waived and no breach consented to unless such waiver or consent shall be in writing and signed by the party to be charged with such waiver or consent.
  4. This License constitutes the entire agreement between the parties with respect to the Work licensed here. There are no understandings, agreements or representations with respect to the Work not specified here. Licensor shall not be bound by any additional provisions that may appear in any communication from You. This License may not be modified without the mutual written agreement of the Licensor and You.
  5. The rights granted under, and the subject matter referenced, in this License were drafted utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implementation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law.

Creative Commons Notice

Creative Commons is not a party to this License, and makes no warranty whatsoever in connection with the Work. Creative Commons will not be liable to You or any party on any legal theory for any damages whatsoever, including without limitation any general, special, incidental or consequential damages arising in connection to this license. Notwithstanding the foregoing two (2) sentences, if Creative Commons has expressly identified itself as the Licensor hereunder, it shall have all rights and obligations of Licensor.

Except for the limited purpose of indicating to the public that the Work is licensed under the CCPL, Creative Commons does not authorize the use by either party of the trademark “Creative Commons” or any related trademark or logo of Creative Commons without the prior written consent of Creative Commons. Any permitted use will be in compliance with Creative Commons’ then-current trademark usage guidelines, as may be published on its website or otherwise made available upon request from time to time. For the avoidance of doubt, this trademark restriction does not form part of this License.

Creative Commons may be contacted at http://creativecommons.org/.

57 comments on “Creative Commons Licence 3.0

  1. Sandra
    February 21, 2017

    I decided to leave a message here on your Creative Commons Licence 3.0 | Sustain-Able 余 : ♥ http://www.CeciliaYu.com page instead of calling you. Do you need more likes for your Facebook Fan Page? The more people that LIKE your website and fanpage on Facebook, the more credibility you will have with new visitors. It works the same for Twitter, Instagram and Youtube. When people visit your page and see that you have a lot of followers, they now want to follow you too. They too want to know what all the hype is and why all those people are following you. Get some free likes, followers, and views just for trying this service I found: http://s.landwied-ball.at/v

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    • ceciliawyu
      March 3, 2017

      Thank you Sandra….but one question: Trump has a lot of fake twit followers….how much “R.E.S.P.E.C.T” is he garnering in the world?

      🙂 I rest my case. Quality of follow over quantity has always been my motto. Cheers. Cecilia

      Like

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    • ceciliawyu
      April 11, 2014

      Thank you for the nice comment! I adore being adored! Lol. Joke!

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  3. Holton
    April 3, 2014

    Wow, incredible blog layout! How long have you been blogging for?
    you make blogging look easy. The overall look of your website is excellent,
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    Like

    • ceciliawyu
      April 4, 2014

      The layout is wordpress FREE Theme…so I thank whoever that coded it. Thank you. I like the generosity of Web-designers who did this for wordpress. 🙂

      Like

  4. Habibi
    November 23, 2013

    An interesting discussion is worth comment.Towards the next project, ignore all else. Cheers

    Like

  5. Fredericka
    November 14, 2013

    Excellent post. Extremely useful info specifically the closing clauses.
    ) Thank you and good luck.

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    • ceciliawyu
      November 20, 2013

      I got your inbox message…..hmm…how did hear about the stupid media leak so fast?…nevermind. thanks. We are cool….we don’t waste time on try hard has-beens employing cheap illiterate PR doing a crap job that my granny could do better in her sleep (well that my granny’s sister ran the first independent chinese press in taiwan might have something to do with her PR gag-reflex but that’s another story! hahahaa)….we look to the future. Say hi to all in Oz for me. and I mean EVERYONE! 🙂 cheers Darling…and by that of course I mean the REAL “fine art darling” and I’m sure the REAL “graffiti legend” agrees with me…and if he doesn’t …he can just go and work with Banksy the wannabe instead….hahahah. Just kidding! XXOO

      Like

  7. New videos
    August 1, 2013

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  8. Trish Teyler
    June 26, 2013

    I simply want to say I absolutely liked you as a blogger. You have amazing writings. Kudos for revealing your thoughts !

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  9. DMccarney
    June 26, 2013

    Your article has actually peaks my interest. I’m free to bookmark your web ?

    From Cecilia: Yes, of course. Please visit again. Thank you. 🙂

    Like

  10. Zachary in Durbin
    June 7, 2013

    Hi, yup this post is good and I learned a lot of things from it regarding blogging and stuff. thanks.

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  11. Jones Sabo
    May 2, 2013

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  13. Luigi Laborini
    March 15, 2013

    I like this blog it’s a master piece! Glad I see this on google.

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  15. Cameron Gosling
    March 7, 2013

    A lack of experience in many projects involved with young adults often is cause of failue at a massive cost to preventative medical treatments. I think your style works better than UN paper-trails because it is authenctic.

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  16. Sung visit back
    March 6, 2013

    Hello, i think that i saw you visited my web site thus i came to “return the favor”.I am trying to find things to improve my web site!
    I suppose its ok to use a few of your ideas!!

    From Cecilia: Please give a link back and follow Creative Commons Licence 3.0. Thank you.

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  18. Dominic Tantillo
    February 23, 2013

    This blog was… how do I say it? Relevant!! Appreciate it!

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  19. Candi Dern
    February 22, 2013

    Hi there! Can you utilize Facebook? I desire to follow you if it is alright and see your site as well for brand spanking new changes. 🙂

    From Cecilia: I don’t know how spanking they are…but there are new things wafting around the art-o-sphere…..a new sheriff I hear….in town….
    btw…how did you know about this? and SHHHHHH! Seriously! Did I blabb somewhere I’m not aware of? 😛

    Like

  20. Justin Ardnt
    February 18, 2013

    When I found this excellent website. i use stumbleupon to talk about some of the topics like yo7urs. I love them. You should do it too!

    From Cecilia: Okay. thanks for the tip. I started looking but never had enough time. 🙂 Goodluck! CC

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  21. Cialante
    February 9, 2013

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  22. Rafael Izzard
    January 30, 2013

    I like what you guys are up to also. Keep this fantastic, sarcastic and subversive operations an insider’s secret, guys ! Althought Lady.Y is prone to way too much transparency she knows when to keep it under the covers when it counts!

    Like

    • ceciliawyu
      February 18, 2013

      Really Rafael? 🙂 Thanks but someone just said to me right now: “Is there nothing you won’t say?”
      Answer: Only if it affects human rights or UN ethics otherwise….if you can’t “let it out in the sunshine” you probably won’t want that kind of things to fester “under your covers” 🙂

      Like

  23. Van Norman
    January 28, 2013

    Hi just wanted to give you a brief heads up and let you know a few of the pictures aren’t loading properly. I’m not sure why but I think its a linking issue. Its a small thing but your blog is so nice, I think you should know.

    From Cecilia: Thank you so much. I hope I can fix it by emailing wordpress. all the best. CC >

    Like

  24. kitchen sinks
    January 24, 2013

    few simple adjustements would really make your blog jump out. Can I help?

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  25. Janice Sirak
    December 28, 2012

    You should move your Weblog moved out in chrome to share more..

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  26. Demski
    December 13, 2012

    I would like to thank you for the efforts you’ve put in writing this site. Really blogging is spreading its wings rapidly. Your writing is a good example of it.

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  27. Paul Cowett
    December 11, 2012

    I was examining some of your posts in this website and I think this site is rattling informative stuff !

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  28. Willa Llewellyn-Bothe
    November 16, 2012

    Nice write-up. It does shed some light on the concern I have about western reductionist thinking; for those interested only in binary options, it can seem like being exclusively binary in our options in life is a bonus. But really it is a liability. What do you think?

    Like

    • ceciliawyu
      November 16, 2012

      Honestly Willa. Wow, deep philosophical stuff. But put simply in the context of copyrights…sometimes you need some boundaries otherwise people just screw with artists. But from a living with the world point of view…I’m very taoist about it…and that is so far from Aristotelian stuff…I am always accused of being circular! lol.

      Like

  29. Miguel
    November 2, 2012

    I am amazed more people haven’t commented here since this can be exceptional and functional if it works?

    from Cecilia: Miguel…:) it works. (CC)

    Like

  30. Nalbach
    October 27, 2012

    thank you in german audio…i have a program that translate your blog.

    Like

  31. Nanci Thaut
    September 14, 2012

    i dnt knw how to use skype . can u help me plzzz

    From Cecilia: it takes 20 sec. to download the free software, Really easy from http://www.skype.com! C’mon you can do it! Don’t be a techno-phobe! 🙂

    Like

  32. free online dating reviews
    August 14, 2012

    Good blog! I truly love how it is easy on my eyes and the data are well written. I’m wondering how I might be notified whenever a new post has been made. I have subscribed to your RSS feed which must do the trick! Have a nice day! “A crime which is the crime of many none avenge.” by Lucan.

    Like

  33. Alt House
    August 8, 2012

    good site!! You could start many more from this one. I love all the info provided. I will stay tuned. Do you want a spin-off site?

    Reply From Cecilia: 🙂 Thanks Alt. House but seriously….I have a life! Having 1 blog is already a headache with 3000 comments I don’t have time to moderate (but try to do about 3-10 every week) and keeping track of the Creative Commons licensing and all the other stuff…this blog was always just a way for me to keep track of all the Real life stuff that happens, that’s why I tell all my readers, I NEVER post anything that has no DIRECT CONNECT in real life. Hey, if you want to start spin-off blogs go ahead….you can under a Creative Commons 3.0 licence as long as you don’t change anything, always give my name with a link-back and it is not-for-profit….if you want to do it for profit, please obtain a different licencing agreement as there’d be a whole lists of famous and not-so-famous guests bloggers wanting their % ! Haha. Just joking. Thanks though. Keep in touch!

    Like

  34. Virgil F
    August 8, 2012

    you definitely have the gift. you do. i mean it.

    From CC: thank you. x

    Like

  35. Janessa diCastri
    July 18, 2012

    What’s up, how’s it going? Just shared one of your post & linked back to you, we had a good laugh. You are sharp and funny.

    from Cecilia: Thank you. Either I’m sharp and funny or the world is inane and ridiculous? lol. haha. take good care.CC

    Like

  36. Milota Gitlin
    July 17, 2012

    Good blogging and right to the point. Do you guys have any ideea where to get some professional writers? Thanks in advance 🙂

    Like

    • ceciliawyu
      July 19, 2012

      Hi Milota, how “professional” do you need? What type of writers? Just inbox me and explain. Thanks. cheers Cecilia

      Like

  37. échangisme?
    July 3, 2012

    I cherished you’ll receive right here my message… your authored matter is stylish….you have an edginess …. but you do not want quotes so échangisme? non?

    From Cecilia: hahahha. Luvian! Bien qu’il se confonde souvent avec la sexualité de groupe, l’échangisme au sens strict ne représente qu’une fraction des pratiques sexuelles en groupe…..anyway…Non. e-affair is so passe…the sooner such things are ignored, the better! Anyway, are you french all lonely, is this how you make friends? lol. (CC)

    Like

  38. Phim
    July 3, 2012

    Interesting article. It is very unfortunate that over the last several years, the travel industry has had to to fight terrorism, SARS, tsunamis, bird flu, swine flu, and also the first ever entire global economic downturn. Through everthing the industry has really proven to be strong, resilient along with dynamic, acquiring new approaches to deal with trouble. There are often fresh troubles and chance to which the marketplace must once again adapt and respond. Your eco-tourism project is interesting. Why the Creative Commons? You can outright copyright and charge for this.

    From Cecilia: thanks Phim. I know I can consult. I do consult. Lets talk more serious in my Biz blog. cheers CC

    Like

  39. Siker32
    July 1, 2012

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  40. Mark Turdon
    June 29, 2012

    I believe you some very interesting points , thankyou for the post. I see there’s some talk of music & africa..can I suggest this way of PR-ing your album if you do one? You wrote about a dance album? http://www.dilekpr.com. Hope this is useful.

    From Cecilia: thanks Mark. It is interesting. I will check it out. This is very thoughtful of you. 🙂 (CC)

    Like

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      August 6, 2014

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      • ceciliawyu
        August 6, 2014

        Hello Mia. Nice to meet you. Please feel free to comment anytime! Many disagrees with my slightly OTT sarcastic humour….and usually ….on a good day…I get why…😇

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    • Boom Beach Hack Tool
      August 6, 2014

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      • ceciliawyu
        August 6, 2014

        Lol…in english??? …or chinese or french…??

        Okay…you are on the wrong site. Goto…discuss this with sunshine press….

        Or do go and muddle with people who go around using a dead man to pimp their image/brands/books/ebooks/personalised s&m whips or whatever it is they are pimping….I can’t stand creative giggolos…! 🙂

        Like

    • Winifred
      August 8, 2014

      When I originally commented I appear to have clicked the -Notify me when new comments are added- checkbox and from now on whenever a comment is added
      I recieve 4 emails with the exact same comment.
      Is there a means you can remove me from that service?
      Many thanks!

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      • ceciliawyu
        August 20, 2014

        Yes. Easily Done! Come again soon! 🙂

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  41. Terrell Vel D'angelo
    June 21, 2012

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